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The Yanos Mag > Blog > News > Musa Keys: “Don’t Talk Sh*t About Me If You Can’t Produce a Song”
News

Musa Keys: “Don’t Talk Sh*t About Me If You Can’t Produce a Song”

The Yanos
Last updated: 2024/04/20 at 11:40 AM
By The Yanos 3 Min Read
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Amapiano sensation Musa Keys has a message for critics: if you haven’t walked a mile in his shoes, especially behind the production desk, then it’s best to hold your peace. In a candid outburst, the artist laid bare his frustrations with detractors who speak ill of his work without understanding the complexity and effort involved in music production.

“To produce a song. No, I’m being for real, though. If you don’t know how to fucking open a production program to produce a song from the beginning till the end, don’t fucking talk shit about me in the streets,” Musa Keys passionately expressed. His raw emotion is fueled by encounters with ongoing criticism from individuals who lack any real experience in music creation. “As long as you can’t be on a computer, beginning to ending, Come on, man. Come on, man. And this is not some cocky shit.”

Musa’s outburst isn’t just about silencing naysayers; it’s a declaration of his credentials and hard-earned success in the fiercely competitive music industry .

“And maybe I need to just be hip hop about it and just call it out because I know I’m great. And yeah, all of those plaques, whatever they call it, plaques, there’s even more in the garage. There’s more in my studio just chilling somewhere over there,” he asserts, referencing his numerous awards and recognitions.

Musa Keys, who has been a significant player in popularizing the Amapiano genre-a hybrid of deep house, jazz, and lounge music originating from South Africa-has not only contributed to its global rise but has also garnered personal achievements, including several awards and widespread acclaim for his innovative soundscapes. “Bro, I have fucking awards in my house, all over the house, all over. But anyway, maybe I’m being a little bit emotional because it’s late at night,” Musa admits, revealing a more vulnerable side often masked by his upbeat tracks and public persona.

His late-night reflections bring to light the emotional toll that public scrutiny can impose on artists, especially those who pour their heart and soul into their craft. Musa Keys’ demand for respect is a plea for acknowledgment-not just for himself, but for all artists who face undue criticism from those who have never endured the challenges of the creative process.

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The Yanos April 20, 2024 April 20, 2024
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